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*ð The streamer is wearing a costume they haven't worn in a while, excited to sing again after a long time.*

*ð Struggled with setting up for over 6 hours due to being unfamiliar with the settings.*

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*ð Reminds themselves to take notes for future streams to avoid setup struggles, though they forgot to do so this time.*

*ð Teases a mini reveal and announcement to happen during the stream.*

*â³ Intends to stretch the time with singing and content, making a joke about "extensions" and "filler".*

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*ð Reveals a newly designed room for singing, expressing excitement about its cuteness.*

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*ð¶ Discusses adjusting the volume for their performance, inviting feedback from viewers.*

*ðŸ Shows appreciation for the intricate and cute design of the new room, highlighting the variety among their viewers.*

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Miwa Katsue - Kite yo Paaman / ããŠãããŒãã³ (Perman, 1983)

*ð Expressed gratitude for the room setup and promises to share credits for the designer in the description.*

*ðïž Shares the challenges of getting the music and voice balance right during live streams.*

*ðž Suggests taking screenshots later, acknowledging that the new room is a beautiful setting worth capturing.*

PM, inviting fans to join for casual chat leading up to the live concert event.*

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*ðµ Admits forgetting to prepare a setlist for the stream, humorously panicking about it.*

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*ð Adjusts the background to a white color to improve visibility for the next song.*

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Shimatani Hitomi - The Ideal Weather for Dreaming / YUMEæ¥å (Doraemon, 2003)

*ð Notes experiencing some streaming issues, hoping for YouTube's stability during the broadcast.*

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GODIEGO - THE GALAXY EXPRESS 999 / éæ²³ééïŒïŒïŒ (1979)

*ð€ Reflects on the supportive nature of viewers, who often reassure the streamer even in challenging moments.*

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*ð¬ Mentions having taken voice training sessions about 12 times, indirectly addressing their singing skills.*

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Matsuda Seiko - Red Sweet Pea / èµ€ãã¹ã€ãŒãã㌠(1982)

*ð The singer expresses a desire to share every moment with you.*

*â€ïž Admiration for someone's way of living is confessed, despite feelings of inability to return.*

*ð¶ A performance error is lightly acknowledged, transitioning into gratitude towards the audience.*

*ð«ð¶ The artist humbly denies any improvement in their singing abilities.*

*ð Concerns over the stream's audio levels being too low are discussed.*

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*ð Requests to YouTube for stable streaming without buffering are made during the live performance.*

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*ð€ The challenge of performing "Donut Hole" in a lower key than usual is mentioned.*

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Yonezu Kenshi - Donut Hole / ããŒããããŒã« (2013)

*ð Reflection on the unexpected high pitch required for a song.*

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*ð Confession that songs performed in the style of "Korone-kun" might not be in high demand.*

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*ð Introduction of a different stage setup with an expressed thanks for audience participation.*

*ðµ Mention of the difficulty level in performing "Full Power King" but willingness to try.*

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Matsumoto Rika - Mezase Pokémon Master / ããããã±ã¢ã³ãã¹ã¿ãŒ (Pokémon, 1997)

*ðŒ An attempt to sing "Aim to Be a Pokémon Master" is made amidst realization of not practicing the song recently.*

*ð Aspiration to become a Pokémon Master emphasized through song.*

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Furukawa Takayuki- Zenryoku King / å šåãã³ã° (Ohsama Sentai King-Ohger, 2023)

*â "Full Power King" reflects on running away from the present to live life to the fullest.*

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*ð Acknowledgment of the song's difficulty and a self-deprecating remark.*

*ð£ Announcement intentions are briefly mentioned before proceeding with another performance.*

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Houshou Marine - How about ã»ã»ã»ã» Mask? / ã»ã»ã»ã»ä»®é¢ã§ã©ãããããïŒ (2024)

*ð "Pai Pai Mask" performance begins, touching on themes of love and memory amidst an upbeat melody.*

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*ð£ Announces a 6th-anniversary live concert scheduled for April 13, highlighting new entertainment aspects including puppetry inspired by a favorite puppet station, aiming to create a puppet theater-like performance.*

*ð Shares a feeling of nervousness about performing live after a long time, thanking the audience for their celebration and support.*

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*ð€ Discusses the challenges of live singing and audio management during the stream, hinting at efforts to improve audience experience in future performances.*

*ðš Credits the background illustrator for enhancing the streaming environment, planning to share more about the illustrator's work in the video description.*

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*ð°ïž Mentions a countdown stream planned for the next day, April 13, at

*ðµ Expresses a desire to perform rap and original music pieces but admits to the limitations without proper accompaniment or preparation.*

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Doggy god's street

Inugami Korone - Doggy god's street (2022)

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*ð Acknowledges the difficulty in performing a particular song without lyrics present, prompting a resolve to always have lyrics on hand for future streams.*

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hololive IDOL PROJECT - Our Bright Parade (2023)

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*ð¶ Closes the stream with gratitude, despite missing a final line in the last song, reflecting on the joy and fulfillment brought by sharing the music and time with fans.*
